A finite game must always be won with a terminal move, a final act within the boundaries of the game that establishes the winner beyond any possibility of challenge. A terminal move results, in other words, in the death of the opposing player as player…
death for a finite player need have nothing to do with the physical demise of the body; it is not a reference to a corporeal state. There are two ways in which death is commonly associated with the fate of the body: One can be dead in life, or one can be alive in death
Death in life is a mode of existence in which one has ceased all play; there is no future striving for titles. All competitive engagement with others has been abandoned. For some, though not for all, death in life is a misfortune, the resigned acceptance of a loser’s status, a refusal to hold any title up for recognition. For others, however, death in life can be regarded as an achievement, the result of a spiritual discipline, say, intended to extinguish all traces of struggle with the world, a liberation from the need for any title whatsoever. “Die before ye die,” declare the Sufi mystics.
Life in death concerns those who are titled and whose titles, since they are timeless, may not be extinguished by death. Immortality, in this case, is not a reward but the condition necessary to the possession of rewards. Victors live forever not because their souls are unaffected by death but because their titles must not be forgotten.
Soldiers commonly achieve a life in death. Soldiers fight not to stay alive but to save the nation. Those who do fight only to protect themselves are, in fact, considered guilty of the highest military crimes. Soldiers who die fighting the enemy, however, receive the nation’s highest reward: They are declared unforgettable Even unknown soldiers are memorialized- though their names have been lose, their titles will not be.
What winners of finite games achieve is not properly an afterlife but an afterworld, not continuing existence but continuing recognition of their titles.
Infinite players die. Since the boundaries of death are always part of the play, the infinite player does not die at the end of play, but in the course of play.
The death of an infinite player is dramatic. It does not mean that the game comes to an end with death; on the contrary, infinite players offer their death as a way of continuing the play. For that reason they do not play for their own life; they live for their own play. But since that play is always with others, it is evident that infinite players both live and die for the continuing life of others.
Death is a defeat in finite play. It is inflicted when one’s boundaries give way and one falls to an opponent. The finite player dies under the terminal move of another.
The finite play for life is serious; the infinite play of life is joyous. Infinite play resounds throughout with a kind of laughter. It is not a laughter at others who have come to an unexpected end, having thought they were going somewhere else. It is laughter with other with whom we have discovered that the end we thought we were coming to has unexpectedly opened. We laugh not at what has surprisingly come to be impossible for others, but over what has surprisingly come to be possible with others.
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